Hocus Pocus 2 effectively captures the irritating cacophony of the original
by Josh Bell
Inlander Spokane, WA
Confess, Fletch and Pearl
by John J. Bennett
North Coast Journal Eureka, CA
Don't Worry Darling is a heady thrill ride
by Bulbul Rajagopal and Caleb Wiseblood
New Times San Luis Obispo San Luis Obispo, CA
Pinocchio
by Anna Starkey
New Times San Luis Obispo San Luis Obispo, CA
The Patient
by Glen Starkey
New Times San Luis Obispo San Luis Obispo, CA
'The Woman King' Is a Rousing Epic of African Woman Warriors — With Big Divergences From History
by Margot Harrison
Seven Days Burlington, VT
Tucson, UA get first screening of film ‘Lute’
by Hope Peters
Tucson Weekly Tucson, AZ
10 Films to Watch at the Woodstock Film Festival
by Brian K. Mahoney
Chronogram Magazine Hudson Valley, NY
Film Clips
by Matt Brunson
Creative Loafing Charlotte Charlotte, NC
Horror Film Festival Happening in St. Louis in October
by Jaime Lees
Riverfront Times St. Louis, MO
Women, Girls and Boys
by John J. Bennett
North Coast Journal Eureka, CA
The Woman King delivers an emotionally resonant epic adventure
by Glen and Anna Starkey
New Times San Luis Obispo San Luis Obispo, CA
Athena is a tragedy defined by breathtaking one-shot sequences that becomes somewhat dulled by narrative hair-splitting
by Chase Hutchinson
Inlander Spokane, WA
Confess, Fletch and Pearl
by John J. Bennett
North Coast Journal Eureka, CA
Andrew Dominik uses Marilyn Monroe as a vehicle for stylistic excess in the misguided Blonde
by Josh Bell
Inlander Spokane, WA
How the Grinch Stole Christmas
by Caleb Wiseblood
New Times San Luis Obispo San Luis Obispo, CA
The Empathy Machine
by Jared Rasic
The Source Weekly - Bend Bend, OR
'Dear White People'
by Cameron Meier
Orlando Weekly Orlando, FL
Doc about Detroit’s Boblo Island history weaves a stranger-than-fiction ‘Ferry Tale’
by Jerilyn Jordan
Detroit Metro Times Detroit, MI
What Year Is It?
by Chuck Bowen
Style Weekly Richmond, VA
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